Summary of Truman Capotes In Cold Blood (Vintage International). Since the theme of irreality-reality is a recurrent concern in much of Fuentes' art a consideration of it in these four stories provides an insight into this aspect of his work. Ensayo en ingls sobre la obra de Carlos Fuentes Chac Mool Perdonen mi ingls. Hence the artistic use of point of view and time and space will be analyzed to determine the efficacy of these techniques in depicting the element of fantasy-reality found in these narratives. Although these stories do not represent a collection of organically unified tales, their common element is the preponderant role display of fantasy as self-deception, as a distorted mode of perception and as a supernatural occurrence. In the course of this article, indications will be made as to the relative simplicity of artistic technique and subject matter used in these tales in comparison with the author's later work. These uncollected stories "Pastel rancio," "Pantera en jazz," "El muñeco" and "Trigo errante," are the unsophisticated basis, in terms of literary techniques and thematic material, for much of Fuentes' subsequent creations. They will read Chac Mool by Carlos Fuentes and discuss magical. The works to be considered represent the Mexican author's experimental period (1949-57), the era preceding Los días enmascarados (1954) and that immediately before the publication of La región más transparente (1958). Corral, Chair of Foreign Languages, Professor of. This study will provide some understanding of Carlos Fuentes' accomplishments as a short story writer as well as the significance of four of his uncollected narratives with respect to his total literary production.
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